Composer and Professor Timothy Blinko met me online to talk about his contribution to the feature film Euphony, written and directed by...

Upon the new Music Haven release of the completion of three late sonata fragments left by Mozart, I sat down with Professor Emeritus William

Composer / guitarist David Braid writes about 'Post-post-modernism' - the (re)construction of harmony following the institutionalisation...

Frances Wilson responds to Tom Hammond's recent article on music criticism for the Music Haven Blog: I read with interest Tom Hammond's...

Conductor Tom Hammond ponders the efficacy of music criticism, and wonders why - with the growth of online reviewing platforms - there...

Composer David Matthews ponders the parallels between the zeitgeist of art and music in our time.

Conductor Tom Hammond writes about his performance with the Hertford Symphony Orchestra next May. They will perform Sibelius’s little-kno...

James Francis Brown gives a composer's view of a much-loved contemporary music festival.

Rob Edgar ponders the aesthetics of music aimed at children, how they may have changed over the years, and what the effects of this chang...

In a guest article for the Music Haven Blog, our friend Frances Wilson from the Cross Eyed Pianist Blog writes on how a sensitive concert...

In a two-part blog Rob Edgar, questions conductor Tom Hammond and composer James Francis Brown about the world of amateur music-making.

In a two-part blog Robert Edgar, questions conductor Tom Hammond and composer James Francis Brown about the world of amateur...

On the launch of Music Haven's new publication of a completion of Mozart's oboe concerto, K.293, William Drabkin considers the issues of...

Alan Mills writes about the treasure trove that is the British Library, and the benefits it bestows on all of us; from the student, to...

Peter Fribbins writes about the virtues of chamber music from his perspective as a composer and as the Artistic Director of the London...

Following on from from his previous article, conductor Tom Hammond writes about the best methods of teaching music.

In the first of a two-part blog, conductor Tom Hammond ponders the future of music education in this country, and suggests a workable...

In light of Lewis Owen’s new play Like Chemist from Canada, Rob Edgar writes aboutA Shostakovich Casebook, a collection of essays on the...

James Francis Brown writes about the recording process from the composer's perspective: Most of us support the motto ‘keep music live’....

Rob Edgar writes about the recent world premiere ofLe tombeau de Rachmaninov, a new work from Music Haven: The composers are back from a...